Wednesday, February 11, 2015
New for 2015, this is the second V-synth Patch Bank with 300+ more presets from our website. If you are a previous customer of the first V-synth bank, you'll want to purchase this Ultimate Pack 2! You can have a preview of it's synthesizer category here: https://soundcloud.com/stealthgear/vsynth-ultimate-pack-2-synths. This is a serious fill-up!
It features more great sounds, piano, guitar, FX, dubstep sounds, the best basses, ambient pads, and 70s & 80s synths. Its $99 and is the culmination of a year's work of making presets. These are specifically developed for this website and are not copies. More useable and more mixable than ever before.
Saturday, February 7, 2015
Thursday, January 29, 2015
1. Select a sine wave.
2. Play the note that closely relates to a FFT graph you are emulating. (In my case a 1k sine wave)
3. Use the Guitar Amp Master Fx and scroll through different settings to see the output.
4. Find someone else's FFT test graph for whatever piece of gear you are emulating.
5. Adjust the Gain & EQ to match the graphs. The harmonics are the lines after the first large spike. The spacing and height of each determines the change. You can just guess or do the best you can. You might not be able to match it at all, or you might find a new sound you like.
With the V-synth you must use really low gain both on the OSC and the MFC volume. If you hear the sinewave overdriving, you are a little too loud.
I was able to match Neve 1073 channel strip with two Marshall amplifiers, one in the COSM, and one in the MFX. Both had low gain. I used a LPF on the first COSM slot to have a bit of roll-off. You can also introduce noise into the mix on the second OSC.
Basically, it is "british EQ" on the V-synth!Does it sound the same? I'm not sure I even care, I'm just exploring the sound pallette everyday with this keyboard. I'm sure I've done things the designers hadn't thought of.
So what can you do with all this? You could run audio through the input, or use the LPF for different synth sounds. SigScope pro can also check the waveform shapes if you want to explore more. If you have this set up, you will probably run out of slots for creating synth sounds, so maybe use a sample. If you have a JP-80 you could probably go wild, as it has more FX combinations. If you are going old-school, you could probably use a plate reverb.
So thats my tip for getting slightly different distortion textures! No matter what you do, you can never get things perfect, but its fun to try and explore the endless possibilities.
Monday, January 26, 2015
Thursday, January 22, 2015
Roland JD Xi
This one looks pretty good, except for the small keys (you can play triplets, but still my hands are too big for it). Its pretty much an analog / digital, all-in-one, groove keyboard. I haven't seen a demo from the digital side except that it has supersaw. I really hope these voice well and combine the oscillators in a patch. But whats even better is the Roland JD-XA!
If you are into keyboards, this is obviously the one you will want to wait for.
DAVE SMITH PROPHET 6!
It sounds great again and is packed with features! It looks like a revisit to the Prophet 5. Its really good looking! Listen to it here on soundcloud. I like it when these companies are fully ready to show everything off.
Where is Yamaha? I don't know yet...
So far I think these are the best products to post up. Korg has some nice new replicas, and there are some other analog monophonics, but those are not things I'm into...the tech is just too old! I need patch memory.
Wednesday, January 14, 2015
New Midi controllers from Akai. They have a built in screen of some type and come with some software instruments. They do look pretty cool if you work inside the computer. I'm really afraid of midi controllers. The ones promising to be ultra integrated have been the hardest to set up. Time will tell.
From NAMM 2015 AKAI PRO link
From NAMM 2015 AKAI PRO link
Wednesday, January 7, 2015
|Lets synthesize the Jupiter 8 sound!|
The trick to making a Jupiter 8 on the V-synth is different from other analog types. Its quite easy to make a Moog lead (or analog pad) on the V-synth by just using the TB-303 filter. I don't have a JP-8 in front of me, but the pitch seems to be quite stable.
Use a small randomization and drift factor for pitch.
-2, RND PITCH LFO, -2 Randomization in the pitch section.
The above setting will make it go out of tune by only 4 cents! Other analog instruments use more.
The PWM can be drifted by -30! If you use a basic wave, like triangle or SIN, you will start to get the right shape, but don't go too bright. You can also adjust the attack and envelope if you want.
Next use a regular -12db filter, with really moderate settings! I thought the filter would need special programming beyond the what V-synth does, but thats not the case. However, the resonance is quite impossible to nail down perfectly. The attack and decay depend on the sound you are making. I actually think less than 5 attack is not necessary.
Amplification is the final part.
Use the Guitar amp MFX, JC-120 amp. Does this amp have the same circuitry as the JP8? I don't know, but maybe it was used on a lot of records and it gets the tone right. Turn the gain to LOW. Set the input to 43 or so. Turn off the speaker. Set the EQ Bass and Mid to 110, treble turned down a bit. Brightness off. You might have to nudge things around to get the proper brightness. This amp kind of makes the treble sing and thats why we use it.
This isn't a complete tutorial to a specific sound, but now you have the basics. There are not a lot of options to get a modeled analog sound on this keyboard, but there are tons of workarounds and secrets!